dr hab. Magdalena Pypeć

Bystydzieńska, G. i Harris, E. (Red.). (2018). From Queen Anne to Queen Victoria. Readings in 18th and 19th Century British Literature and Culture. Vol. 6. . Warszawa: Wydawnictwa Uniwersytetu Warszawskiego.

Pypeć, M. , Kędra-Kardela, A. i Kędzierska, A. (Red.). (2017). Studies in English Literature and Culture. Festschrift in Honour of Professor Grażyna Bystydzieńska. . Lublin: Maria Curie-Skłodowska University Press.

Pypeć, M. (2016). The Victorian Poet and His Readers: The Strange Case of Tennyson's "The Princess.". . Frankfurt am Main: Peter Lang.

Bystydzieńska, G. (Red.). (2016). Things and Images in 18th and 19th century British Literature and Culture. . Warsaw: Pracownia "Ośrodek Studiów Brytyjskich" Instytut Anglistyki UW.

Pypeć, M. (2018). The Racialized Body in "The Mystery of Edwin Drood". W: G. Bystydzieńska i E. Harris (Red.). From Queen Anne to Queen Victoria. Readings in 18th and 19th Century British Literature and Culture. Vol. 6. (s. 273-284). Warszawa: Wydawnictwa Uniwersytetu Warszawskiego.

Pypeć, M. (2017). Mesmerism in The Mystery of Edwin Drood. W: M. Pypeć , A. Kędra-Kardela i A. Kędzierska (Red.). Studies in English Literature and Culture. Festschrift in Honour of Professor Grażyna Bystydzieńska. (s. 219-230). Lublin: Maria Curie-Skłodowska University Press.

Pypeć, M. (2017). The Mesmerist as Criminal in The Mystery of Edwin Drood. W: G. Bystydzieńska (Red.). Gothic, Sensation, Detection. (s. 227-240). Warszawa: Pracownia "Ośrodek Studiów Brytyjskich" Instytut Anglistyki UW.

Pypeć, M. (2016). Depicting the Body in the Victorian Novel - "The Strange Case of Dr Jekyll and Mr Hyde.". W: G. Bystydzieńska (Red.). Things and Images in 18th and 19th century British Literature and Culture. (s. 227-235). Warsaw: Pracownia "Ośrodek Studiów Brytyjskich" Instytut Anglistyki UW.

Pypeć, M. (2016). The Female Grotesque in Tennyson's "The Princess.". W: G. Bystydzieńska i E. Harris (Red.). From Queen Anne to Queen Victoria. Readings in 18th and 19th century British Literature and Culture. Vol. 5. (s. 351-362). Warszawa: Uniwersytet Warszawski, Instytut Anglistyki - Pracownia "Ośrodek Studiów Brytyjskich".

Pypeć, M. (2016). "Beautifully got up, but the illustrations we cannot admire" - Tennyson's "The Princess" as a Christmas Gift Book. W: G. Bystydzieńska (Red.). Things and Images in 18th and 19th century British Literature and Culture. (s. 127-138). Warsaw: Pracownia "Ośrodek Studiów Brytyjskich" Instytut Anglistyki UW.

Pypeć, M. (2014). "Wuthering Heights and the Nineteenth Century Campaign for the Abolishion of Slavery.". W: D. Babilas , A. Piskorska i P. Rutkowski (Red.). Face to Face, Page to Page. PASE Papers in Literature, Language and Culture. (s. 319-326). Warszawa: Instytut Anglistyki UW.

Pypeć, M. (2014). "Tennyson's 'Ulysses' and Two Beelzebubs - The Significance of Miltonic and Dantesque Echoes in the Poem". W: G. Bystydzieńska i E. Harris (Red.). From Queen Anne to Queen Victoria. Readings in 18th and 19th century British literature and culture. Vol. 4. (s. 453-461). Warszawa: Uniwersytet Warszawski, Ośrodek Studiów Brytyjskich.

Pypeć, M. (2013). "Outlaw Emotions": Carol Ann Duffy's "Eurydice", Dramatic Monologue and Victorian Women Poets. W: J. Fabiszak , E. Urbaniak-Rybicka i B. Wolski (Red.). Crossroads in Literature and Culture. (s. ). Berlin Heidelberg: Springer.

Pypeć, M. (2015). Carnivalesque Gardens in Tennyson's 'The Princess.'. Acta Philologica, 47, (s. 51-60).

Pypeć, M. (2015). Disguise and Gender in Tennyson's "The Princess". The New Review : an International Journal of British Studies, 5, (s. 95-105).

Pypeć, M. (2014). Tennyson's Weeper Revisited - "Tears, Idle Tears" in Context. Studia Methodologica, 39, (s. 13-18).

Pypeć, M. (2014). "Literature and Science in the Nineteenth Century: The Case of Tennyson's 'The Princess'.". Acta Philologica, (s. 29-35).

Pypeć, M. (2013). Taking a Stand on Remembrance: Emily Jane Bronte and Victorian Literary Annuals. Acta Philologica, (s. 38-44).